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book (7)


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2004 (7)

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Where She Always Was
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ISBN: 0874215811 0874215846 9786613267184 1283267187 087421498X 9780874214987 9780874215816 9780874215847 Year: 2004 Publisher: Utah State University, University Libraries

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Abstract

In his foreword, J.D. McClatchy speaks of the musical qualities of Lindsay's work: ""It is impossible, reading her poems, not to hear a musical hand at work. This is not just a matter of delicacy or virtuosity. It is also a matter of knowing how to phrase a line... Lindsay moves from detail to trope with utter poise, with an intuitive sense of what to sustain or emphasize. Her language is crisp. I can pick a stanza at random... and praise its plosive energy, its modulated vowels, its variety and elan... Where She Always Was allows us . . . the rare gratification of watching a poet-

Keywords

American poetry


Book
Get your ass in the water and swim like me : African American narrative poetry from oral tradition
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Year: 2004 Publisher: [Place of publication not identified] : Taylor & Francis,

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"Get Your Ass in the Water and Swim Like Me" is considered one of the great, classic collections of African-American literature and folklore. Originally published by in 1974, it quickly gained the reputation as a classic collection of black folk poetry. This book will delight students of African-American culture and folklore, and anyone who enjoys the double entendres and hidden meanings found in the oral tradition, from its African roots to contemporary rap.

Liebe hat es so befohlen : die Liebe im Lied der Frühen Neuzeit
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ISBN: 3412086045 Year: 2004 Publisher: Köln Böhlau

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The new woman in early twentieth-century Chinese fiction
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ISBN: 155753330X 1612490204 1423733363 1612498884 1612498876 Year: 2004 Publisher: West Lafayette, Ind. : Purdue University Press,

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Abstract

Jin Feng proposes that representation of the "new woman" in Communist Chinese fiction of the earlier twentieth century was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals.


Book
Der poetische Formismus Tytus Czyżewskis : Ein literarischer Ansatz der fruehen polnischen Avantgarde und sein mitteleuropaeischer Kontext
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Year: 2004 Publisher: Bern Peter Lang International Academic Publishing Group

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In this work an attempt is made to describe formism in terms of Tytuz Czyżewski's poetry as an independent poetic approach. The starting point is the aesthetic writings on the visual art of Chwistek and Witkacy. On the basis of central ideas developed in them, the formistic can be made more recognizable and serve as a basis for the interpretation of Czyżewski's poems. Thus, their analysis deals with problems of a form-oriented art, the relationship between form and content in the literary work of art, and the relationship between art and extra-artistic reality, with which the formists' intention is to dissolve art or literature from their mimetic function and to emphasize the individual processing of the outer world by the artist. Such understood poetic formism stands for a thoroughly original literary approach, which apart from Expressionism and Futurism can be regarded as characteristic of the early Polish avant-garde. A comparison of formism with parallel currents of the Hungarian and Czech avant-garde completes this work. In dieser Arbeit wird der Versuch unternommen, den Formismus anhand der Lyrik Tytus Czyżewskis als eigenständigen poetischen Ansatz zu beschreiben. Den Ausgangspunkt bilden dabei die ästhetischen Schriften zur bildenden Kunst von Chwistek und Witkacy. Anhand in ihnen entwickelter zentraler Ideen kann das Formistische besser erkennbar gemacht werden und als Grundlage für die Interpretation von Czyżewskis Gedichten dienen. Somit geht es bei deren Analyse um Probleme einer formorientierten Kunst, um das Verhältnis zwischen Form und Inhalt im literarischen Kunstwerk sowie um die Beziehung zwischen Kunst und außerkünstlerischer Wirklichkeit, womit die Absicht der Formisten verbunden ist, Kunst bzw. Literatur von ihrer mimetischen Funktion zu lösen und die individuelle Verarbeitung der äußeren Welt durch den Künstler hervorzuheben. Ein so verstandener poetischer Formismus steht für einen durchaus originären literarischen Ansatz, der neben Expressionismus und Futurismus als charakteristisch für die frühe polnische Avantgarde gelten kann. Ein Vergleich des Formismus mit parallelen Strömungen der ungarischen bzw. tschechischen Avantgarde bildet den Abschluß dieser Arbeit.

Gender, Discourse, and Desire in Twentieth-Century Brazilian Women's Literature
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ISBN: 1612491014 161249885X 1557533520 Year: 2004 Volume: v. 29 Publisher: West Lafayette, Ind. : Purdue University Press,

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"This study by Cristina Ferreira-Pinto explores the poetic and narrative strategies twentieth-century Brazilian women writers use to achieve new forms of representation of the female body, sexuality, and desire. Female writers discussed include: Gilka Machado, Lygia Fagundes Telles, Marcia Denser, and Marina Colasanti. While creating new forms, these writers are also deconstructing cultural myths of femininity and female behavior. In order to understand these myths, the book also presents new readings of some male-authored canonical novels by Jose de Alencar, Machado de Assis, Manuel Autonio de Almeida, and Aluisio Azevedo." "In the discussion of the strategies Brazilian female poets and fiction writers employ, Ferreira-Pinto addresses some social and cultural issues that relate to a woman's sense of her own body and sexuality: the characterization of women based on racial features and class hierarchy; marriage; motherhood; the silencing of the lesbian subject; and aging. Ferreria-Pinto's analysis is informed by the works of various and diverse critics and theoreticians, among them Helene Cixous, Teresa De Lauretis, Adrienne Rich, Gloria Anzaldua, Georges Bataille, and Wilhelm Reich."--Jacket.

Masquerade : Queer Poetry in America to the End of World War II
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ISBN: 0253069009 0253343267 Year: 2004 Publisher: Bloomington : Indiana University Press,

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A comprehensive anthology of poetry by American gays, lesbians, bisexuals and transgender persons. It includes representative poems from more than 100 writers from pre-colonial times to the end of the Second World War. The anthology begins with selections of anonymous texts from the oral traditions of Hawaii and Native America, followed by voodoo chants and cowboy songs (with a few limericks thrown in for good measure). The selections are arranged by the year of the poet's birth and include samplings of poetry by a racially and ethnically diverse group of men and women. Contemporary readers will know the work of some of these poets, such as Gertrude Stein and Walt Whitman. Other poets, such as George Sanlayana and Adah Isaacs Menken, will be strangers to most. In all these poels created a rich heritage of verse that has been for the most part masked throughout the history of American literature.

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